Also included is an optimised S-LOG 2 profile and further LUTs designed exclusively by EOSHD for all S-LOG 2 footage! A flat film gamma profile, Pro LOG is easier to grade than S-LOG and works at low ISO sensitive such as ISO 200, without the upper-minimum ISO limitations of S-LOG (which can sometimes be as high as ISO 3200). Sep 14, 2017 Using the 17 Free LUTs for LOG Footage. Unzip the PB-Wanderlust Free Luts.zip file in your download folder. The following steps are for Adobe Premiere Pro CC 2017, FCPX, and DaVinci Resolve. Please consult your manual for other programs. Using the LUTs in Premiere Pro CC 2017. In the Lumetri Color panel, open the Basic Correction tab. Phantom LUTs. Fs7/5 & Alpha Series Fx-9/A7siii (coming soon) Bmpcc4k (coming soon) Arri Alexa(coming soon).
Download 17 FREE look-up-tables for color grading LOG footage. Inspired by the search for creativity, these LUTs quickly add vibrance to your videos.
Wanderlust: the desire to travel. Get these 17 free LUTs for LOG footage, perfect to accentuate your footage from abroad — or even from near home.
These 17 .CUBE files are compatible with a variety of NLEs and color grading programs, including Adobe Premiere Pro CC 2017, FCPX, and DaVinci Resolve. This tutorial will cover these three programs; please consult your manual for other programs.
Download Wanderlust: 17 Free LUTs for LOG Footage
To download the Wanderlust free LUTs, click the button below. These LUTs are free to use in any personal or commercial projects. By downloading, you agree not to resell or redistribute these free assets.
S Log 2 Luts
DOWNLOAD 17 FREE LUTS FOR LOG FOOTAGE
Using the 17 Free LUTs for LOG Footage
Unzip the PB-Wanderlust Free Luts.zip file in your download folder. The following steps are for Adobe Premiere Pro CC 2017, FCPX, and DaVinci Resolve. Please consult your manual for other programs.
Using the LUTs in Premiere Pro CC 2017
- In the Lumetri Color panel, open the Basic Correction tab.
- Under Basic Correction , select the Input LUT dropdown menu, and click on Browse…
- Go to the PB – 17 Free LUTs folder and select the LUT of your choice.
Using 17 Free LUTs in FCPX
To use LUTs in Final Cut Pro X, you will first need to download a LUT plugin. For a great free plugin, consider mLUT from Motion VFX.
- Download and install the mLUT plugin from Motion VFX.
- Restart FCPX.
- In the Final Cut Pro X timeline, drag the mLUT effect to your clip.
- In the Inspector, navigate to the mLUT interface, and click Load Custom LUT.
- Go the the 17 Free LUTs folder and select the LUT of your choice.
Using 17 Free LUTs in DaVinci Resolve 12.5
- Open your DaVinci Resolve project.
- Click the Project Settings cog wheel in the bottom right corner.
- Go to the Color Management tab and click Open LUT Folder.
- Drag and drop the 17 Free LUTs .CUBE files into the DaVinci Resolve LUT Folder.
- Close the folders, and select Update Lists in DaVinci Resolve.
- The 17 Free LUTs are now available to select under the 3D Input Lookup Table dropdown menu.
- Select the LUT of your choice, click Save.
Bonus: 35 more free LUTs for Rec 709 footage!
GET 35 FREE LUTS FROM ROCKETSTOCK
Using Picture Profile presets with S-Log
When shooting in S-Log, use Picture Profile presets PP7, PP8, or PP9.
![S Log 2 Luts S Log 2 Luts](/uploads/1/2/6/2/126294543/826912343.jpg)
The PP7 preset combines S-Gamut and S-Log2, while PP8 is S-Gamut3.cine/S-Log3 and PP9 is S-Gamut3/S-Log3. Here, select PP7 (S-Gamut/S-Log2) and leave the preset details as-is. A distinction of this Picture Profile, intended for subsequent color grading, is a gamma broad enough for movie production.
S Log 2 Luts Free
![Log Log](/uploads/1/2/6/2/126294543/962858497.jpg)
Camera setting and types of Picture Profiles
MENU → (Camera Settings) → [Picture Profile] → desired setting.
- PP1:
- Example setting using [Movie] gamma
- PP2:
- Example setting using [Still] gamma
- PP3:
- Example setting of natural color tone using the [ITU709] gamma
- PP4:
- Example setting of a color tone faithful to the ITU709 standard
- PP5:
- Example setting using [Cine1] gamma
- PP6:
- Example setting using [Cine2] gamma
- PP7:
- Example setting using [S-Log2] gamma
- PP8:
- Example setting using the [S-Log3] gamma and the [S-Gamut3.Cine] under [Color Mode].
- PP9:
- Example setting using the [S-Log3] gamma and the [S-Gamut3] under [Color Mode].
- PP10:
- Example setting for recording HDR movies using [HLG2] gamma.
- Learn more
Why Log video looks faded and low-contrast
Often, gamuts used in professional video applications conform to ITU-R BT.709 (Rec. 709), established for HDTVs. This is illustrated below.
Here, the curved color space represents the range of human vision. The gamut of Rec. 709 is much narrower. In contrast, it is easy to appreciate how much broader S-Gamuts used in S-Log recording are.
When viewed on a screen designed for Rec. 709, Log video lacks contrast because the screen cannot display the full gamut.
The ITU-R BT.2020 gamut outlined in green can be reproduced by 4K equipment. This shows how much broader your creative palette is in 4K than in HD.
Appearance of S-Log2 video on a Rec. 709 screen
Easily reproducing colors on Rec. 709 screens with 3D LUTs
Optimal display of Log video on Rec. 709 screens requires color grading, when you will use lookup tables (LUTs). This conversion prepares the material for display on Rec. 709 screens.
Unlike 1D LUTs, which mainly adjust luminance, 3D LUTs control hue, saturation, and brightness of each RGB color. LUTs simplify color grading, because without them, instant S-Log video display matching the gamut of Rec. 709 screens would be difficult as you adjust tone curves, hue, saturation, and other details two-dimensionally.
When ILCE-7SM3 has recorded movies in the [S-Log3] gamma and S-Gamut3.Cine under Color Mode or S-Gamut3 under Color Mode, you can use this LUT.
Using Gamma Display Assist and external monitors
To make it easier to check S-Log video on a Rec. 709 screen as you shoot, use Gamma Display Assist to apply LUTs. The contrast of viewfinder and monitor display will look as if you were not shooting in S-Log. In this way, Gamma Display Assist enables precise camerawork, whether you are checking subjects or adjusting the focus.
You can also take advantage of LUT-compatible external monitors, which are now more common.
Comparison of using a LUT on an external monitor
This video introduces shooting in S-Log and shows how effective it can be.
When shooting in S-Log, you can choose S-Log2 or S-Log3. Colors are reproduced differently depending on your choice, so use the right option for your workflow.
S-log 2 Luts Sony A7sii
In this video, you can see how S-Log2 colors differ from those of S-Log3.